Soaring Dragon with Auspicious Lotuses

Soaring Dragon with Auspicious Lotuses

Qingzhou Style Sculpture
201C Exhibition Hall

Ancient Qingzhou was located in today’s northern Shandong, a province in the northeastern coast of China. Two major styles of Buddhist statuary came from this region: statues with mandorlas and freestanding statues. Qingzhou statues are characterized by their exquisite composition and splendid decoration, rendered with a combination of three-dimensional, relief and line-carving techniques. These distinctive regional characteristics gradually became known as the "Qingzhou style."

This gallery features Qingzhou style statues from the late Northern Wei to Northern Qi period (520-577), highlighting the development of the Qingzhou style from its beginning to the mature stage. Projecting serenity infused with vividness, the calm and dignified Qingzhou buddhas and the splendidly jeweled bodhisattvas have become classic images in Chinese sculpture.

Shakyamuni Buddha, Commissioned by Bhiksu Man
Eastern Wei Dynasty (534-550)
540 C.E.
Limestone
168 cm
201C Soaring Dragon with Auspicious
Lotuses: Qingzhou Style Sculpture
This Buddhist triad backed by a large high-relief boat-shaped mandorla is an example of Buddhist steles from the region of Qingzhou, Shandong. The Buddha stands barefoot on a lotus pedestal at the center of the triad. An intricately carved halo encircles his head and high spiral topknot. His loose belted robe is worn over an inner robe with a knot in the middle. The attendant bodhisattvas flanking the Buddha wear crowns with ribbons flowing down the sides, and shawls draping over their shoulders. Strings of jewels are crossed in an X-shape over their abdomens. Right below the tip of the boat-shaped mandorla are high-reliefs of a soaring dragon with a lotus flower in its mouth, flanked by four flying celestials playing musical instruments.
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